Modern Recollections

zendontfret:

it’s stupid how important the song ‘have a sad cum’ is to me. It’s like, “really emotions? This is what you choose to attach yourself to?” 

(via noiserap)

Looking back at the programs I designed in collaboration with the Generic Factory for my recent performance at the Hedreen Gallery in Seattle. And remembering how boss they turned out…

Looking back at the programs I designed in collaboration with the Generic Factory for my recent performance at the Hedreen Gallery in Seattle. And remembering how boss they turned out…

I swear it was the coldest day of the year. “Waging Process.” The first piece I made with M. Stone, Matt Drews, and Rei Kellz two years ago. #tbt #staylegend

I swear it was the coldest day of the year. “Waging Process.” The first piece I made with M. Stone, Matt Drews, and Rei Kellz two years ago. #tbt #staylegend

Just This, For Now | City Arts

Sharon Arnold’s response to “I’ve Seen Half of God’s Face Here, The Other Half is Yours” in City Arts Magazine.

Working with actor Maya Sugarman on “Only We Who Guard The Mystery” opening on September 8th. I said check it, ya bish. (at INTIMAN Theatre)

Working with actor Maya Sugarman on “Only We Who Guard The Mystery” opening on September 8th. I said check it, ya bish. (at INTIMAN Theatre)

dead be dead

dead be dead

thegenericfactory:

Carl; In the deep canyon of the stage.The cavity of darkness.The throws of impassioned revile.
A beautiful, sublime; place.July 2014

thegenericfactory:

Carl; In the deep canyon of the stage.
The cavity of darkness.
The throws of impassioned revile.

A beautiful, sublime; place.

July 2014